Fingernail on 31/1/2007 at 23:37
sheet music please, it makes this sort of thing so much easier, especially when the best sonic rendering is rather poor MIDI.
edit: wait is it in the folder? (no apparently not)
please though
Thief13x on 1/2/2007 at 00:28
I like it, not really a classical music fan though, but of classical music this is definatly a go for me.
paloalto on 1/2/2007 at 19:50
Thank you for your comments.Much appreciated.
Quote Posted by Fingernail
sheet music please, it makes this sort of thing so much easier, especially when the best sonic rendering is rather poor MIDI.
edit: wait is it in the folder? (no apparently not)
please though
Do you have Finale?
Warning.ThE sheet music is not cleaned up just to let you know.
Here is a link to the mus file if you have Finale.You can get Notepad at the Finale site if you don't.
(
http://www.esnips.com/doc/c9508ca2-27c6-4026-b76a-0c652a687b31/golddenlotus)
Here is an updated version of the piece.
(
http://www.esnips.com/doc/2cf99fb0-13b1-4862-84e3-78caa20f274a/agoldenlotus)
Fingernail I know you play classical guitar.If you have any pointers let me know.A composer on another site said I was still in the Tonic on the piece.
I'm trying to learn to move off the tonic in my music.
I'm going to print out the score and analyze it as far as music theory goes.
Fingernail on 1/2/2007 at 20:18
yes harmonically it is very limited. Not knowing your musical background or exactly what you're trying to do though makes this difficult, and this forum isn't the best place for a theory lesson.
What's your aim exactly? It doesn't sound like anything much in particular at the moment, and I think the main problem is the harmony. Use different chords, start with I, IV and V which are the most "powerful" and build from there.
I can't open your mus file at the moment.
It might be best to compose for one or two instruments - piano is probably a good bet - before starting on larger ensembles. I used to go into Sibelius and create the hugest orchestras and get completely stuck, in my youth.
These days I just pick up a guitar and go from there, but it usually results in songs rather than "pieces".
paloalto on 1/2/2007 at 23:03
Thank you for your feedback.I like violin sonatas a lot so my main focus in the beginning will be violin and piano.I hope to eventually do chamber music which is pretty hard to do.Once again thanks.
Stitch on 2/2/2007 at 04:05
Well that was a buzzing hive of random strings in search of a melody. I can't imagine this is how it's supposed to sound.
paloalto on 2/2/2007 at 04:46
Quote Posted by Stitch
Well that was a buzzing hive of random strings in search of a melody. I can't imagine this is how it's supposed to sound.
Yeah it definitely needs work.
User123abc on 2/2/2007 at 05:15
You know, there's only so much that can be said without you or us really knowing their shit inside out.
It sounds like you were going for a baroque feel, with the cyclical rhythms, rapidly changing focus in voices, and seeming counterpoint. In other words, basically assured musical suicide at this point - to put it bluntly.
My biggest criticism - the odd choice of rhythms. The beginning is good, and at moments builds up with some generally effective interplay, but then just melts into a "buzzing hive" :) . That's measure 30 I'm thinking of, to be specific. At other points, the different voices don't compliment each other nearly as well - I don't know, it sounds a bit like uneven drops of water if that's what you were going for with the rapture theme. And it's hard to say without knowing what you were going for, but the accelerando isn't really working.
In terms of harmonics, basically what's been said already. Though there are a lot of different melodies floating around, the whole itself is static (no chord change). Maybe a lot of it has to do with the interplay between rhythm and harmony - you have a lot going on in terms of ryhthm, which gives a sense of tension. But without any harmonic development and especially resolution to complement it, it's unsatisfying.
I think you have a good aesthetic sense (it seems like you avoided quite a few cliches, now that I think of it), and the melodies are very pleasant - but don't aim so high! Simplify where possible, and try to draw out the different themes you have before you move on to the next one. You could definitely cut some instruments out.
I'd really recommend dissecting some Bach, if you haven't already done so.
paloalto on 2/2/2007 at 10:03
Thanks.The accelerando is actually the first theme I came up with without being accelerated.The problem is I don't understand what I have musically there and then I end up creating parts that don't match it.I worked backwards.I definitely need to study more and Bach in particular.