Stitch on 10/11/2006 at 21:30
1/15/07 Update:
February's book of the month has turned into March's book of the month. Submit any last minute candidates you have before the poll is created.
12/4/06 Update:
Submit your candidate for February's book of the month now!
Original Text:
Late again :cool:
Below are the nine candidates for January's TTLG Book Club selection. Please vote for the book you would like to read for discussion in January. The poll is public and will be closed in a week.
(http://www.amazon.com/gp/product/0312282990/sr=1-1/qid=1154990717/ref=pd_bbs_1/103-0986735-4367055?ie=UTF8&s=books) <U>Amazing Adventures of Kavalier and Clay</U> by Michael ChabonVirtuoso Chabon takes intense delight in the practice of his art, and never has his joy been more palpable than in this funny and profound tale of exile, love, and magic. In his last novel, The Wonder Boys (1995), Chabon explored the shadow side of literary aspirations. Here he revels in the crass yet inventive and comforting world of comic-book superheroes, those masked men with mysterious powers who were born in the wake of the Great Depression and who carried their fans through the horrors of war with the guarantee that good always triumphs over evil. In a luxuriant narrative that is jubilant and purposeful, graceful and complex, hilarious and enrapturing, Chabon chronicles the fantastic adventures oftwo Jewish cousins, one American, one Czech. It's 1939 and Brooklynite Sammy Klayman dreams of making it big in the nascent world of comic books. Joseph Kavalier has never seen a comic book, but he is an accomplished artist versed in the "autoliberation" techniques of his hero, Harry Houdini. He effects a great (and surreal) escape from the Nazis, arrives in New York, and joins forces with Sammy. They rapidly create the Escapist, the first of many superheroes emblematic of their temperaments and predicaments, and attain phenomenal success. But Joe, tormented by guilt and grief for his lost family, abruptly joins the navy, abandoning Sammy, their work, and his lover, the marvelous artist and free spirit Rosa, who, unbeknownst to him, is carrying his child. As Chabon--equally adept at atmosphere, action, dialogue, and cultural commentary--whips up wildly imaginative escapades punctuated by schtick that rivals the best of Jewish comedians, he plumbs the depths of the human heart and celebrates the healing properties of escapism and the "genuine magic of art" with exuberance and wisdom.
Resubmitted by Jonesy
(http://www.amazon.com/Damnation-Game-Clive-Barker/dp/0425188930/sr=1-1/qid=1160424224/ref=pd_bbs_1/002-3488886-9297648?ie=UTF8&s=books) <U>The Damnation Game</U> by Clive BarkerI have seen the future of the horror genre, and his name is Clive Barker," Stephen King has written. Fortunately, this first novel (Barker has published short story collections) more than bears the weight of King's praise. Barker is a better writer than King, and his characters are just as interesting. Set in modern Britain, the story thrusts a flawed "innocent"parolee Marty Straussinto an epic conflict between wealthy Joseph Whitehead and Mamoulian the Cardplayer, a centuries-old creature with whom Whitehead had struck a bargain to obtain his wealth and power. Whitehead reneges, and the resulting struggle is played out primarily on his fortress-like estate. Barker's excellent writing makes the graphic, grotesque imagery endemic to current horror fiction very effective. Highly recommended anywhere horror fiction is popular.
Resubmitted by Gorgonseye
(http://www.amazon.com/Carter-Beats-Devil-Glen-Gold/dp/0786886323/sr=1-1/qid=1163193276/ref=pd_bbs_sr_1/002-3488886-9297648?ie=UTF8&s=books) <U>Carter Beats the Devil</U> by Glen David GoldIn Carter Beats the Devil, Glen David Gold subjects the past to the same wondrous transformations as the rabbit in a skilled illusionist's hat. Gold's debut novel opens with real-life magician Charles Carter executing a particularly grisly trick, using President Warren G. Harding as a volunteer. Shortly afterwards, Harding dies mysteriously in his San Francisco hotel room, and Carter is forced to flee the country. Or does he? It's only the first of many misdirections in a magical performance by Gold. In the course of subsequent pages, Carter finds himself pursued by the most hapless of FBI agents; falls in love with a beautiful, outspoken blind woman; and confronts an old nemesis bent on destroying him. Throw in countless stunning (and historically accurate) illusions, some beautifully rendered period detail, and historical figures like young inventor Philo T. Farnsworth and self-made millionaire Francis "Borax" Smith, and you have old-fashioned entertainment executed with a decidedly modern sensibility.
Gold has written for movies and TV, so it's no surprise that he delivers snappy, fast-paced dialogue and action scenes as expertly scripted as anything that's come out of Hollywood in years. Carter Beats the Devil has a mustachioed villain, chase scenes, a lion, miraculous escapes, even pirates, for God's sake. Yet none of this is as broadly drawn as it might sound: Gold's characters are driven by childhood sorrows and disappointments in love, just like the rest of us, and they're limned in clever, quicksilver prose. By turns suspenseful, moving, and magical, this is the historical novel to give to anyone who complains that contemporary fiction has lost the ability to both move and entertain.
Submitted by Fingernail
(http://www.amazon.com/Haunting-Hill-House-Shirley-Jackson/dp/0140071083/sr=1-1/qid=1163193418/ref=pd_bbs_1/002-3488886-9297648?ie=UTF8&s=books) <U>The Haunting of Hill House</U> by Shirley JacksonFirst published in 1959, Shirley Jackson’s The Haunting of Hill House has been hailed as a perfect work of unnerving terror. It is the story of four seekers who arrive at a notoriously unfriendly pile called Hill House: Dr. Montague, an occult scholar looking for solid evidence of a “haunting”; Theodora, his lighthearted assistant; Eleanor, a friendless, fragile young woman well acquainted with poltergeists; and Luke, the future heir of Hill House. At first, their stay seems destined to be merely a spooky encounter with inexplicable phenomena. But Hill House is gathering its powers—and soon it will choose one of them to make its own.
Submitted by Tonamel
(http://www.amazon.com/Never-Let-Me-Kazuo-Ishiguro/dp/1400078776/sr=1-1/qid=1163193534/ref=pd_bbs_sr_1/002-3488886-9297648?ie=UTF8&s=books) <U>Never Let Me Go</U> by Kazuo IshiguroFrom the Booker Prize-winning author of The Remains of the Day comes a devastating new novel of innocence, knowledge, and loss. As children Kathy, Ruth, and Tommy were students at Hailsham, an exclusive boarding school secluded in the English countryside. It was a place of mercurial cliques and mysterious rules where teachers were constantly reminding their charges of how special they were.
Now, years later, Kathy is a young woman. Ruth and Tommy have reentered her life. And for the first time she is beginning to look back at their shared past and understand just what it is that makes them special–and how that gift will shape the rest of their time together. Suspenseful, moving, beautifully atmospheric, Never Let Me Go is another classic by the author of The Remains of the Day.
Submitted by jan
(http://www.amazon.com/No-Ladies-Detective-Agency-Paperback/dp/1400031346/ref=ed_oe_p/002-3488886-9297648) <U>The No. 1 Ladies' Detective Agency</U> by Alexander McCall SmithThe African-born author of more than 50 books, from children's stories (The Perfect Hamburger) to scholarly works (Forensic Aspects of Sleep), turns his talents to detection in this artful, pleasing novel about Mma (aka Precious) Ramotswe, Botswana's one and only lady private detective. A series of vignettes linked to the establishment and growth of Mma Ramotswe's "No. 1 Ladies Detective Agency" serve not only to entertain but to explore conditions in Botswana in a way that is both penetrating and light thanks to Smith's deft touch. Mma Ramotswe's cases come slowly and hesitantly at first: women who suspect their husbands are cheating on them; a father worried that his daughter is sneaking off to see a boy; a missing child who may have been killed by witchdoctors to make medicine; a doctor who sometimes seems highly competent and sometimes seems to know almost nothing about medicine. The desultory pace is fine, since she has only a detective manual, the frequently cited example of Agatha Christie and her instincts to guide her. Mma Ramotswe's love of Africa, her wisdom and humor, shine through these pages as she shines her own light on the problems that vex her clients. Images of this large woman driving her tiny white van or sharing a cup of bush tea with a friend or client while working a case linger pleasantly. General audiences will welcome this little gem of a book just as much if not more than mystery readers.
Submitted by Jennie&Tim
(http://www.amazon.com/Women-Love-Dover-Thrift-Editions/dp/0486424588/sr=1-2/qid=1163193791/ref=pd_bbs_sr_2/002-3488886-9297648?ie=UTF8&s=books) <U>Women in Love </U> by D. H. Lawrence Women In Love, the book Lawrence considered his best, was written during World War I, and while that conflict is never mentioned in the novel, a sense of background danger, of lurking catastrophe, continually informs its drama of two couples dynamically engaged in a struggle with themselves, with each other, and with life's intractable limitations. Lawrence was a powerful, prophetic writer, but in addition he brought such delicacy to his treatment of the human and natural worlds that E. M. Forster's claim that he was the greatest imaginative novelist of our generation does him too little justice rather than too much.
Submitted by Aja
(http://www.amazon.com/Phantom-Tollbooth-Norton-Juster/dp/0394820371/sr=1-1/qid=1163193976/ref=pd_bbs_sr_1/002-3488886-9297648?ie=UTF8&s=books) <U>The Phantom Tollbooth</U> by Norton Juster"It seems to me that almost everything is a waste of time," Milo laments. "[T]here's nothing for me to do, nowhere I'd care to go, and hardly anything worth seeing." This bored, bored young protagonist who can't see the point to anything is knocked out of his glum humdrum by the sudden and curious appearance of a tollbooth in his bedroom. Since Milo has absolutely nothing better to do, he dusts off his toy car, pays the toll, and drives through. What ensues is a journey of mythic proportions, during which Milo encounters countless odd characters who are anything but dull.
Norton Juster received (and continues to receive) enormous praise for this original, witty, and oftentimes hilarious novel, first published in 1961. In an introductory "Appreciation" written by Maurice Sendak for the 35th anniversary edition, he states, "The Phantom Tollbooth leaps, soars, and abounds in right notes all over the place, as any proper masterpiece must." Indeed.
As Milo heads toward Dictionopolis he meets with the Whether Man ("for after all it's more important to know whether there will be weather than what the weather will be"), passes through The Doldrums (populated by Lethargarians), and picks up a watchdog named Tock (who has a giant alarm clock for a body). The brilliant satire and double entendre intensifies in the Word Market, where after a brief scuffle with Officer Short Shrift, Milo and Tock set off toward the Mountains of Ignorance to rescue the twin Princesses, Rhyme and Reason. Anyone with an appreciation for language, irony, or Alice in Wonderland-style adventure will adore this book for years on end.
Submitted by Aerothorn
(http://www.amazon.com/Chronicle-Foretold-Gabriel-Garcia-Marquez/dp/140003471X/sr=8-1/qid=1163301175/ref=pd_bbs_sr_1/104-6696238-1652720?ie=UTF8&s=books) <U>Chronicle of a Death Foretold</U> by Gabriel Garcia MarquezA mysterious and haunting tale of romance and murder, that begins with the marriage of a man and a woman in love. But when he inexplicably mistreats his beloved on the night of the wedding, he is in turn murdered by her brothers, and we are left with a strange sense of inevitability and passions gone terribly awry.
Setting out to reconstruct a murder that took place 27 years earlier, this chronicle moves backwards and forwards in time, through the contradictions of memory and moments lost in time. Its irony gives the book the nuances of a political fable.
Submitted by Paz (sorry about the miss, mang)
Get a-votin' and BRING BACK ONIONBOB