Take this crappy art. - by CandyStick
Chimpy Chompy on 4/3/2006 at 22:29
I've missed Tony's sparkling charm and cheery demeanour.
Shevers on 4/3/2006 at 22:46
Quote Posted by Tony
I replicated that in thirty seconds in Lview. Anyone who thinks that that juvenile effort is beautiful has brain damage
But the point is the story behind the art. So... if you just sarcastically put a can on a desk and then put a picture of a foot eating a window beside it, it's a random load of crap. But if someone put a lot of effort into it and was being ironic, OMG ITZ ARTT
Or something.
Para?noid on 4/3/2006 at 23:55
It isn't really a particulary outstanding work of art but the point of art like this is to try and exist on a purely subjective and aesthetic level, avoiding layers of meaning to try and affect the viewer in a more instinctual, emotional way. Although the title suggests the subject, it can, without this information be construed as all kinds of shit. I guess "abstract expressionism" might be the word to use but I'm not very up on genres so that could be completely wrong.
Vigil on 5/3/2006 at 00:17
Just when I thought we'd derailed the thread enough, the ha ha you call this art posts are back. Is there some kind of spray we can use?
Spamlet on 5/3/2006 at 00:27
Quote:
1.5 million? I know those paintings are very methodical in the way they are painted, but that doesnt mean thay are any good for anyone who hasn't studied art for years
As someone who
has studied art for years, allow me to confirm that 'noid has the right genre. Actually, there's nothing all that methodical or time consuming about the technique itself. Although her name may not be as known to the general public, Frankenthaler is considered one of the most influential and revolutionary painters of the 20th century. Next to her masterwork, "Mountains and Sea" this is one of her most important pieces. That's why it's value is in the millions.
Tony on 5/3/2006 at 03:03
Why exactly is it important, and why is anything of the sort a masterwork when, obviously, so little talent and effort go into it?
SD on 5/3/2006 at 03:28
Creating a foetus doesn't take much talent or effort either, but you advocate the death penalty for anyone who terminates one ;).
Anyway, I guess something is only as important as someone else considers it. Many artists have obviously been influenced by her work, so even if you don't rate it very highly yourself, it's clearly a significant painting.
Mr.Duck on 5/3/2006 at 04:50
TTLG's art.*
*MOER LIKE FART, AM I RITE?!
Spamlet on 5/3/2006 at 05:34
Tony,
I didn't call that painting her masterwork. I said that this one (
http://www.artchive.com/artchive/F/frankenthaler/frankenthaler_mtns.jpg.html) was.
However, since you asked. Modern art does not need to take a great deal of effort to be deemed great. Execution is nothing without concept. You replicating a great work of art via some computer program or whatever, only means you're good at copying someone else's idea. If you aren't the one who's expressing an original vision, the best you can hope for is being called "technically proficient" (which is usually pejoratively translated as "not a real artist yourself").
Besides, you aren't using similar mediums so there is no possible way you are acheiving what she did. Thousands of art students attempt to recreate her (and many others') paintings as part of their training and the individual nuances betray their hand every time. That's the precise point of the exercise. So don't flatter yourself that the same painting could be done in 5 minutes, if at all.
SD's analogy is a good one: an artist takes a part of themself (soul, if you'd like) and gives that its own physical life. Independent of its source, it then takes on an emotional and intellectual relationship with all who encounter it because you feel and think
something even if that something is next to nothing. Whether you personally recognize its beauty or worth is, therefore, entirely moot.
aguywhoplaysthief on 5/3/2006 at 06:15
Quote Posted by Spamlet
Besides, you aren't using similar mediums so there is no possible way you are acheiving what she did. Thousands of art students attempt to recreate her (and many others') paintings as part of their training and the individual nuances betray their hand every time. That's the precise point of the exercise. So don't flatter yourself that the same painting could be done in 5 minutes, if at all.
I find that to be somewhat disingenuous. So what it can't be replicated easily?
If you do something randomly with watercolors (while having some understanding of the mechanics), yeah it's going to be hard - almost impossible really - to exactly duplicate it in its original form. If you're very skilled you could get pretty darn close, but that doesn't make the original creator any more skilled than anyone else. I could give a five-year-old some water colors and a brush and have him paint something, along with some nice dashes and splashes, and that would be hard shit for anyone to reproduce exactly in just the same way.
I'm not saying it's bad (I actually rather like it), nor am I saying that the same thing could be done by a five year old, just that duplicability is generally useless as judgement goes for pieces like this.